| The Praying Hands From:
						
						http://www.barefootsworld.net/albrechtdurer.html Back in the fifteenth century, in 
						a tiny village near Nuremberg, lived a family with 
						eighteen children.  Eighteen!  In order merely 
						to keep food on the table for this mob, the father and 
						head of the household, a goldsmith by profession, worked 
						almost eighteen hours a day at his trade and any other 
						paying chore he could find in the neighborhood.   Despite their seemingly hopeless 
						condition, two of Albrecht Durer the Elder's children 
						had a dream.  They both wanted to pursue their 
						talent for art, but they knew full well that their 
						father would never be financially able to send either of 
						them to Nuremberg to study at the Academy.  After 
						many long discussions at night in their crowded bed, the 
						two boys finally worked out a pact.  They would 
						toss a coin.  The loser would go down into the 
						nearby mines and, with his earnings, support his brother 
						while he attended the academy.  Then, when that 
						brother who won the toss completed his studies, in four 
						years, he would support the other brother at the 
						academy, either with sales of his artwork or, if 
						necessary, also by laboring in the mines. They tossed a coin on a Sunday 
						morning after church.  Albrecht Durer won the toss 
						and went off to Nuremberg.  Albert went down into 
						the dangerous mines and, for the next four years, 
						financed his brother, whose work at the academy was 
						almost an immediate sensation.  Albrecht's 
						etchings, his woodcuts, and his oils were far better 
						than those of most of his professors, and by the time he 
						graduated, he was beginning to earn considerable fees 
						for his commissioned works. When the young artist returned to 
						his village, the Durer family held a festive dinner on 
						their lawn to celebrate Albrecht's triumphant 
						homecoming.  After a long and memorable meal, 
						punctuated with music and laughter, Albrecht rose from 
						his honored position at the head of the table to drink a 
						toast to his beloved brother for the years of sacrifice 
						that had enabled Albrecht to fulfill his ambition.  
						His closing words were, "And now, Albert, blessed 
						brother of mine, now it is your turn.  Now you can 
						go to Nuremberg to pursue your dream, and I will take 
						care of you." All heads turned in eager 
						expectation to the far end of the table where Albert 
						sat, tears streaming down his pale face, shaking his 
						lowered head from side to side while he sobbed and 
						repeated, over and over, "No ...no ...no ...no." Finally, Albert rose and wiped the 
						tears from his cheeks.  He glanced down the long 
						table at the faces he loved, and then, holding his hands 
						close to his right cheek, he said softly, "No, brother.  
						I cannot go to Nuremberg.  It is too late for me.  
						Look ... look what four years in the mines have done to 
						my hands!  The bones in every finger have been 
						smashed at least once, and lately I have been suffering 
						from arthritis so badly in my right hand that I cannot 
						even hold a glass to return your toast, much less make 
						delicate lines on parchment or canvas with a pen or a 
						brush.  No, brother ... for me it is too late." More than 450 years have passed.  
						By now, Albrecht Durer's hundreds of masterful 
						portraits, pen and silver-point sketches, watercolors, 
						charcoals, woodcuts, and copper engravings hang in every 
						great museum in the world, but the odds are great that 
						you, like most people, are familiar with only one of 
						Albrecht Durer's works.  More than merely being 
						familiar with it, you very well may have a reproduction 
						hanging in your home or office. One day, to pay homage to Albert 
						for all that he had sacrificed, Albrecht Durer 
						painstakingly drew his brother's abused hands with palms 
						together and thin fingers stretched skyward.  He 
						called his powerful drawing simply "Hands," but the 
						entire world almost immediately opened their hearts to 
						his great masterpiece and renamed his tribute of love 
						"The Praying Hands." The next time you see a copy of 
						that touching creation [below], take a second look.  
						Let it be your reminder, if you still need one, 
						that no one - no one - ever makes it alone!
 Note: There is no 
						credible source for this story, and it is not mentioned 
						in historical accounts of either Durer's life or the 
						"Praying Hands" drawing.  Therefore, it may be 
						fiction.  However, even if it is fiction, the 
						message is good and can still be appreciated!
 Picture from:
						
						http://en.wikipedia.org/wiki/File:Praying_Hands_-_Albrecht_Durer.png
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